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- آدرس کوتاه شده مقاله: https://bahareadab.com/article_id/1106
- کد doi مقاله: Doi: 10.22034/bahareadab.2021 .14 .5597
Journal of the stylistic of Persian poem and prose
volume Number 14،
number In Volume 3،
،
issue Number 61
A study of the stylistics of "Hairat Lahori" poems
Kamran Kasaei (Author in Charge)
Abstract
BACKGROUND AND OBJECTIVES: The literary identity of any nation is its manuscript. To this end, in order to revive the past history and culture of each region, it is worthwhile to correct, introduce and research these valuable treasures. One of these manuscripts is a divan called "Hairat Lahori" divan which is kept in the treasure library of the Persian Research Center of Iran and Pakistan No. 870.
METHODOLOGY: This article is based on library studies and has been done in a descriptive-analytical manner.
FINDINGS: Lahore wonder is contemporary with the prevalence and peak of Indian style; Therefore, in his poems, one can see the characteristics of this style (such as sensory application, numerical dependencies, equation style, etc.). He is also believed to follow the Naqshbandiyya method, and the principles of this method can be seen in his poems. Love of God, unity of being, and love of the Prophet are the intellectual foundations of his poems.
CONCLUSION: At the intellectual level, because the intellectual is astonished by Naqshbandiyya Sufism, he has referred to his Sufism and Sufi dynasty, which is the Naqshbandiyya dynasty. Love of God, unity of existence and love of the Prophet are among his other intellectual principles. At the literary level, Hairat Lahori is more interested in spiritual industries than arrays, and among them he is more interested in similes and allusions. Also, special features of Indian style such as sensibility, numerical dependencies, recognition, equation style, etc. have a high frequency in his poems. At the linguistic level, the frequency of the sea of sand and mud is very high in the court of wonder, and this shows his special interest and attention to the weights of the river. He is more inclined to use current rows than nominal rows. One of the poetic features of Divan-e Hairat is the existence of slang terms and interpretations of the poet"s time that are scattered throughout his divan.
Keyword
Lahore wonder
, stylistics
, Indian style
, linguistic level
, literary level
, intellectual level
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